Fabric 2025
The sixth edition of Fabric Arts Festival expanded its regional scope across Fall River and Providence, consolidating its role as a platform for collaborative and transatlantic cultural production. The program brought together commissioned works, residencies, and co-programmed projects across visual arts, music, performances, and communal gatherings, reinforcing the festival’s commitment to diasporic narratives, shared authorship, and site-responsive practices.
Food-centered performances remained central to the festival’s curatorial approach. In Fall River, Salo Salo by Bhen Alan & Company unfolded as a dinner-performance shaped by queer ritual, diasporic memory, and collective care, developed in collaboration with local communities. Calafonas: Back for a Beat of Saudades by Project Calafonas, with chef Hugo Ferreira, activated food and sound as parallel carriers of memory, combining a listening session with a curated menu rooted in Portuguese-Azorean heritage. Earlier in the week, the artists presented Disco, Diaspora, Memory at Brown University, extending their research into a discursive and educational format.
The visual arts program unfolded across multiple venues through close partnerships with regional institutions. In Fall River, Post Scarcity Sculpture, curated by Harry Gould Harvey IV at FR MoCA, brought together artists working with material residue and speculative futures, positioning sculpture within broader debates on ecology and political economy. In Providence, LoafHead by Hugo Brazão, presented with Dirt Palace at ODD-KIN, explored drawing, textile, and print through a speculative figure that reflected on sustenance, exhaustion, and resilience, extending the exhibition into forms of hospitality and shared experience.
Fabric’s sound and performance program expanded its presence across the region. At AS220, Crosscurrents / Contracorrentes by Daniel Wyche & Matthew Azevedo emerged from a year-long residency, combining field recordings, textiles, and sculptural elements to explore the Atlantic as a space of movement and memory. The night program culminated with LATCHKEY at CRIB, featuring Branko alongside Mango & Ginger, Where’s Nasty, and Slick Vick, bringing together artists and audiences across Fall River, Providence, and Lisbon through music and dance.
Across its program, the 2025 edition reinforced Fabric’s emphasis on co-programming and long-term collaboration, expanding its network of partners and audiences while continuing to position the festival as a space for cultural exchange, collective production, and dialogue across geographies.
Fabric 2025
The sixth edition of Fabric Arts Festival expanded its regional scope across Fall River and Providence, consolidating its role as a platform for collaborative and transatlantic cultural production. The program brought together commissioned works, residencies, and co-programmed projects across visual arts, music, performances, and communal gatherings, reinforcing the festival’s commitment to diasporic narratives, shared authorship, and site-responsive practices.
Food-centered performances remained central to the festival’s curatorial approach. In Fall River, Salo Salo by Bhen Alan & Company unfolded as a dinner-performance shaped by queer ritual, diasporic memory, and collective care, developed in collaboration with local communities. Calafonas: Back for a Beat of Saudades by Project Calafonas, with chef Hugo Ferreira, activated food and sound as parallel carriers of memory, combining a listening session with a curated menu rooted in Portuguese-Azorean heritage. Earlier in the week, the artists presented Disco, Diaspora, Memory at Brown University, extending their research into a discursive and educational format.
The visual arts program unfolded across multiple venues through close partnerships with regional institutions. In Fall River, Post Scarcity Sculpture, curated by Harry Gould Harvey IV at FR MoCA, brought together artists working with material residue and speculative futures, positioning sculpture within broader debates on ecology and political economy. In Providence, LoafHead by Hugo Brazão, presented with Dirt Palace at ODD-KIN, explored drawing, textile, and print through a speculative figure that reflected on sustenance, exhaustion, and resilience, extending the exhibition into forms of hospitality and shared experience.
Fabric’s sound and performance program expanded its presence across the region. At AS220, Crosscurrents / Contracorrentes by Daniel Wyche & Matthew Azevedo emerged from a year-long residency, combining field recordings, textiles, and sculptural elements to explore the Atlantic as a space of movement and memory. The night program culminated with LATCHKEY at CRIB, featuring Branko alongside Mango & Ginger, Where’s Nasty, and Slick Vick, bringing together artists and audiences across Fall River, Providence, and Lisbon through music and dance.
Across its program, the 2025 edition reinforced Fabric’s emphasis on co-programming and long-term collaboration, expanding its network of partners and audiences while continuing to position the festival as a space for cultural exchange, collective production, and dialogue across geographies.
Artists & Contributors | Alicia “Truthseeker” Mitchell, Bhen Alan, Branko, Daniel Wyche & Matthew Azevedo, Dirt Palace, Evelyn Rydz, Hugo Brazão, Isabella, Hugo Ferreira & Frederico Almeida, Mango & Ginger, Mitchell Mauricio, Kate McNamara, Project Calafonas — Henrique Ferreira & Diogo Lima, Slick Vick, Where’s Nasty
Programming Partners
FR MoCA, ODD-KIN