Claudio Bueno (São Paulo, Brazil) is an artist, curator, and educator. His practice operates at the intersection of art, technology, ecology, education, and social justice through collaborative projects, installations, research, and collective platforms. He is Assistant Professor of Social Design at the University of California, Santa Cruz, and holds a PhD in Visual Arts from the University of São Paulo (USP). His work has been presented internationally at institutions including the Chicago Architecture Biennial, Whitechapel Gallery, Ars Electronica, the São Paulo Museum of Art (MASP), and the São Paulo Biennial, exploring collective modes of creation and new relationships between communities, territories, and infrastructures.

Dandha da Hora, born and raised in Salvador, Bahia, has been a member of Ilê Aiyê, one of Brazil’s most important musical and cultural institutions, since she was 6 years old. A master dancer, as well as vocalist and percussionist, Dandha invokes the incredible spirit of Ilê Aiyê and Salvador, Bahia, each time she steps onstage. As a lead dancer with Ilê Aiyê, Dandha toured internationally and has shared the stage with many of Brazil’s most renowned artists such as Caetano Veloso, Gilberto Gil and Daniela Mercury. Whether she is teaching, dancing, singing, or playing an instrument, Dandha’s art always reflects her passion for sharing Afro-Brazilian culture, and she brings a message of hope, love, equality and freedom every time she performs.

Evelyn Rydz works across drawing, site-responsive installations, and community projects to reimagine our relationships with the natural world and with each other. Her practice explores connections between bodies of water, personal histories, consumer cycles, and threats to natural and cultural ecosystems. Rydz has collaborated on community projects with the University of Massachusetts, ICA Watershed, Ethelbert Cooper Gallery of African & African American Art, and MIT List Visual Arts Center. Rydz is a Professor at Massachusetts College of Art and Design.

Filipa da Rocha Nunes is a writer and curator from Portugal, and the author of the books couro fresco (Guerra e Paz, 2023) and curtume (Traça Editora,2025). he has collaborated with institutions and galleries such as CAM – Fundação Gulbenkian, CACE, Culturgest, Cristina Guerra Gallery, Dialogue Gallery, Monitor, Galeria Foco, Galeria Filomena Soares, Galeria 3+1, Appleton, Lehmann, and Balcony. Internationally, she has presented work at Sies + Höke (Düsseldorf), Sophiensæle (Berlin), Kampnagel (Hamburg), ArtTerrada (Tokyo), Camões Angola(Luanda), and Galeria Paulo Darzé (Salvador). From 2019 to 2025, she was Art and Culture Coordinator at the Luso-American Development Foundation (FLAD), where she was responsible for developing programs such as the FLAD Drawing Prize, Flechada – Grants Supporting First Solo Exhibitions, the Visual Arts Course, and Artistic Residencies in the United States.Since 2018, she has regularly collaborated with Catalan artist Antoni Muntadas. She holds a degree in Painting from the Faculty of Fine Arts of the University of Lisbon (2016) and a Master’s degree in Cultural Management from the Universitat Internacional de Catalunya in Barcelona (2019). She lives and works between Lisbon and Porto.

Filipe Furtado Trio is a group that uses song as a starting point to explore the realms of improvisation, jazz influences, and contemporary sounds. With roots in Coimbra, the trio establishes itself as a space for collective creation, where compositions take shape through the dialogue between piano, saxophone, and drums. In live performances, the group incorporates electronics and vocals. The project is based on the original repertoire of Filipe Furtado — an Azorean musician and composer who has lived in Coimbra since 2010 — and his collaboration with Paulo Silva (drums) and Filipe Fidalgo. In 2025, they released the album “Como Se Matam Primaveras"

Grace Goodrich is the chef and culinary artist behind Good Rich Food, a project based in Providence, Rhode Island. Her work explores food as a conduit for connection between land, maker, and guest. Inspired by her Portuguese heritage she cooks as an act of remembrance, honoring the matriarchs whose stories live on through her. Her practice celebrates clean soulful abundance and the beauty of shared sensory experience. She believes the table is where community is built and where people come most alive— a place of connection, celebration, and collective joy. Food should make you feel good.

Linsey Wallace is an interdisciplinary artist working across installation, video, and performance. Her practice explores moments of perceptual disruption to investigate themes of connectivity, class, decay, and renewal. She holds an MFA in New Genres from the San Francisco Art Institute and a BFA in Sculpture from the Maine College of Art. Wallace has exhibited at institutions including The Lab, Berkeley Art Museum, ICA Portland, and The Tank in New York, and is co-founder of Chroma Council, an art consulting and design-build studio.

LUZO Auto Body Shop is a family-owned auto repair shop in New Bedford that has served the local community for generations.

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For FABRIC 2026, the workshop becomes the setting for the festival's closing event, transforming a place of everyday labor into a temporary space for gathering. Through food, performance, and live interventions, LUZO highlights the cultural significance of vernacular, community-rooted spaces and their role in sustaining shared histories, relationships, and cultural continuity across generations.

Melanie Hoff is an artist, organizer, technologist, and educator committed to cultivating spaces of learning and feeling that encourage honesty, poetry, and reconciliation for the ways we are shaped by intersecting systems of classification and power. Melanie engages hacking and performance to reveal how we choose to live and what choices have been made for us. They teach about sex, technology, and social cybernetics Yale University, New York University, and have shown work at the New Museum, the Queens Museum, and elsewhere. Melanie has co-directed two art and technology organizations, School for Poetic Computation and Hex House.

Mia Pinheiro is an Azorean-American painter and performance artist whose practice spans painting, drawing, installation, and live arts, from New Bedford, MA. Influenced by her apprenticeship with Mexican painter José "Pepe" Barbosa and the collective El Quinto Piso in Mexico City, her work explores the expressive potential of the figure, still life, and material processes. Working from her studio at Kilburn Mill in New Bedford, Pinheiro creates works that investigate identity, embodiment, and ritual through painting, performance, and handcrafted pigments.

Nuno Pimenta develops a multidisciplinary practice that articulates art and architecture. His work focuses on the appropriation and subversion of common construction elements and techniques for the creation of social and political narratives. He holds two Master’s degrees in Architecture and Art and Design of Public Space from the Faculty of Fine Arts of the University of Porto (FBAUP). In recent years he has developed work in the most diverse artistic areas, such as temporary architecture, installation, public art, exhibition design and performance.

Project Calafonas is a research and artistic project by Henrique Furtado Ferreira and Diogo Lima focused on the musical history of Portuguese and Azorean communities in North America during the 1970s and 1980s. Developed through archival research, interviews, listening sessions, and encounters with musicians and community members, the project recovers a lesser-known cultural history shaped by pop, rock, disco, and other forms of popular music.

Taking its name from Calafonas: Music from the Azorean and Portuguese Diaspora (1970s–1980s), a compilation released by Henrique Furtado Ferreira, the project challenges narrow representations of Portuguese diasporic culture as exclusively connected to folklore and religious tradition. Through music, moving image, and storytelling, Project Calafonas explores migration, cultural adaptation, memory, and the ways identities are transformed across generations.

For FABRIC, the project has unfolded through research in New England, public listening sessions, a lecture-performance, a dinner-performance, and the development of a new short film centred on the musicians and stories encountered throughout the process.

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Henrique Furtado Ferreira (b. 1981, Ponta Delgada, Azores), also known as DJ Milhafre, is a DJ, record collector, editor, and researcher. He released Calafonas: Music from the Azorean and Portuguese Diaspora (1970s–1980s), a compilation bringing together musical recordings rediscovered from the Luso-American past. Across his work, music becomes a way of tracing connections between culture, migration, memory, and identity.

Diogo Lima (b. 1993, São Miguel, Azores) is a Portuguese director and editor working across fiction, documentary, and advertising. Often grounded in humour, his projects explore the particularities and contradictions of Azorean identity. His work includes the documentary AZ-RAP: Sons of the Wind, the web series Sou Menino Para Ir for FOX Comedy and RTP1, and the short fiction film The Last Days of Emanuel Raposo.